Mamma's Moon
by Jerome
Mark Antil
GENRE: Literary
Fiction
BLURB:
A bond that can only happen on a dance floor happened in a cafe
off Frenchman Street among four unlikely characters: a man who was about to
die; his friend, an illiterate Cajun French yardman; and two of the most
successful women in New Orleans.
Aging Captain Gabriel Jordan, retired, was given two months to live, three
months before he met "Peck"--Boudreau Clemont Finch--a groundskeeper
on the back lawn of his hospice on Bayou Carencro, Louisiana. It was at the
hospice that Gabe told Peck his dream of seeing the Newport Jazz Festival
before he died. They became friends, and Peck offered to help grant his wish by
taking him there.
And they began their journey.
It quickly became a journey with complications and setbacks. They saved each
other many times, but they were in turn saved by two extraordinary women: Sasha
(Michelle Lissette), a real estate agent in New Orleans's posh Garden District,
and her best friend, Lily Cup (Lily Cup Lorelei Tarleton), a criminal attorney.
Less than a year before the events in Mamma's Moon, Gabe and Peck wandered into
Charlie's Blue Note, a small jazz bar in a side alley just off Frenchman
Street, where the music was live and mellow and the dancing warm and sensual.
Here they encountered Sasha and Lily Cup, and amid the music, the dancing, the
food, the flirting, and the cigar smoke, the four formed an unusual and lasting
friendship that would see them each through a series of crises,
disappointments, life-threatening situations, and moments of great joy and
satisfaction.
Excerpt:
She
rolled her eyes and turned to the other chair.
“The
only reason they haven’t busted down your door and you’re not behind bars is
you’re a decorated veteran, and I’m your attorney, and I promised you’ll show
up in the morning. Sasha warned me about you. I should have listened. You’re an
ornery, stubborn old coot when you have a mind to.”
She
sat down.
“I’m
never ornery,” Gabe said. “But that’s enough.”
He
leaned and poured coffee.
“You’re
lucky we have Magistrate Judge Fontenot tomorrow. I heard her dad was killed in
Vietnam. She’s been pretty fair to me in the past. A new school gal, tough on
the letter of the law, but she’ll listen to reason if it solves a case. She
hates red tape with a passion, and seldom lets the DA or the defense use the
system for delays. She doesn’t get hung up on tradition.”
“Have
you heard?” Gabe said. “Our Sasha has asked me to give her away. How about them
apples?”
“Gabe,
like she’s been my best friend since kindergarten, she tells me everything,”
Lily Cup said. “It’s sweet.”
“I’m
thinking Peck and I might throw a party,” Gabe said. “Something she’ll
remember—commemorate their engagement Mardi Gras style. Lots of pictures; close
friends.”
“Will
you print invitations, like a formal do?” Lily Cup asked.
“But
of course,” Gabe said. “Maybe costumes?”
“It’s
party time! She would flip over a costume party, all our friends would,” Lily
Cup said. “You and Peck celebrating her engagement will mean a lot to her.”
“Should
we do it here or over at Charlie’s Blue Note with the live jazz?”
“Gabe,
you’ve got one picture on the mantle, two chairs, and a cardboard box in the
living room. This isn’t exactly what I’d call a Commander’s Palace party room.”
“I
was thinking a streetcar day pass in the invite if we do it here at the house,”
Gabe said.
“That’s
a nice idea—parking sucks on this street. When are you going to buy some
furniture?”
“I’m
too old to impose furniture on Peck. Peck would only feel obligated to keep it
after I’m gone. I’ll let him and Millie pick out the furniture doodads,
curtains, and the dishes when they play house. There’s time.”
“How’s
your stomach with what happened today? Were you hurt?” Lily Cup said.
“What
stomach? They removed it.”
“I
meant how’ve you been since the operation?”
“I’m
a hospice survivor with some time left in me, hopefully. At least enough time
to plan a party.”
“You
might be partying in Angola if the DA pushes this to a grand jury,” Lily Cup
said.
Gabe
stood, got the coffee urn again and brought it into the living room.
“Warm
your coffee?”
“Do
you two at least have beds?” Lily Cup asked.
“Of
course we have beds,” Gabe said. “Peck thinks he’s a prince— a mattress with
sheets after sleeping on a canvas cot most of his life.”
“This
must be a new world for him,” Lily Cup said.
“For
fifteen years he slept in an unheated shed at a wood mill,” Gabe said. “Saw
blades hanging over him like Macy’s parade balloons. It took him weeks getting
used to sleeping on a bed. I’d find him curled on the floor with his window
wide open.”
“Peck
and Millie,” Lily Cup said. “They do seem like a good fit, don’t they?”
“She’s
loved the boy with a passion since the day he made the Greyhound bus stop so he
could jump off just to give her the baby doll she left on her seat,” Gabe said.
“Her
baby doll, Charlie. Sasha told me about the doll. Hell, I had my Teddy bear all
through Harvard. I still have it,” Lily Cup said.
“Millie
does love her Charlie,” Gabe said.
“Does
she like the house?”
Guest
Post:
Is there an author
past or present that may have inspired you to write? If yes please tell us who
this author is and how they may have inspired you?
I
was never into Mark Twain all that much.
As a young boy I had fun imagining Huck’s river raft but felt Twain was
a mean writer – living off the foibles of man.
John
Steinbeck was my earliest and biggest inspiration. He could put a personal, private moment of a
person’s day on paper as if you were in the same room. His gift for historical accuracy and details
of the times, including simple things like stopping to buy gas are fine
canvasses one could stare at all day. As heartfelt as Grapes of Wrath is,
Cannery Row creates a character of an entire town locked in a moment of time with
every inhabitant playing an important role.
The
more I write, the more I respect Ernest Hemingway as my mentor, my
teacher. He teaches me the disciplines
such as – just write and rewrite; count your words every day – writing is work,
it’s a discipline. But more than anything
else “write what you know” – and – “write like people speak”. Because of Hemingway I research my topics,
places and times (dialects as well) for six months before I put ink on
paper. Hemingway wrote Old Man and the
Sea in a matter of weeks – after years of observation. It won a Pulitzer and a Noble Peace Prize.
AUTHOR
Bio and Links:
JEROME MARK ANTIL writes in several genres. He has been called a
“greatest generation’s Mark Twain,” a “write what you know Ernest Hemingway,”
and “a sensitive Henry Wadsworth Longfellow.” It’s been said his work reads
like a Norman Rockwell painting. Among his writing accomplishments, several
titles in his The Pompey Hollow Book Club historical fiction series about
growing up in the shadows of WWII have been honored. An ‘Authors and Writers’
Book of the Year Award and ‘Writer of the Year’ at Syracuse University for The
Pompey Hollow Book Club novel; Hemingway, Three Angels, and Me, won SILVER in
the UK as second-best novel.
Foreword’s Book
of the Year Finalist for The Book of Charlie – historical fiction and The Long
Stem is in the Lobby – nonfiction humor. Library Journal selected Hemingway,
Three Angels and Me for best reads during Black History Month.
Before
picking up the pen, Antil spent his professional career writing and marketing
for the business world. In this role, he lectured at universities - Cornell,
St. Edward’s, and Southern Methodist. His inspirations have been John
Steinbeck, Mark Twain, and Ernest Hemingway.
Giveaway:
$10 Amazon or Barnes and Noble GC
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3 comments:
Thanks for hosting!
My family loves reading so hearing about another great book I appreciate. Thanks for sharing and also for the giveaway.
Which book would you like to see a sequel to?
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